Although all four variations feature a representative figure, we label this variation simply "Avatar" to emphasize its more "realistic" human appearance (rather than its apparent material of composition). The movement sequence for this video is the same as with the skeletal figure; however, in this variation the hand gestures (mudras) are coded in, adding a further layer of communicative finesse. The avatar takes on a more specifically embodied form; it appears to be gendered male, with a Southeast Asian ethnicity, and wears a tight black shirt and pants with buttons and pink/red cuffs at the end of the sleeves. The avatar has a face, but it is completely expressionless (and perhaps somewhat unsettling when its face stares directly out at the audience). It is especially interesting to note that this is a male avatar selected by a female performer to represent her own dance; though this particular avatar was chosen for means of availability and ease in composing, this choice also speaks to the dancer's ability to choose from a range of options of how to present her movements to the viewer, beyond what costuming or makeup choices might allow.

Additionally, this video features still images in the background (and some integrated with the dancer's dance) that provide visual interpretations of the dance's narrative and symbols: a painted hand; a lantern; a sketch of a mudra; a peacock, another mudra, a woman in a garden; spring flowers; a statue of a dancer; an illustration of a woman in a garden; cattle; a temple sculpture; a stylized face; spring flowers; and a temple sculpture. Due to their prominent placement, the still images potentially compete with the moving avatar for the audience's attention. What is perhaps most interesting is the image of the lantern near the beginning— the only image that is integrated into the motion of the dance itself, as the avatar sketches out its progression across the screen with its hands. This moment indicates the possibility for the still images to complement rather than compete with the movements in providing visual interpretations of the poses and gestures— a possible tool for educating unfamiliar audiences more effectively on the gestures' narrative meanings.