MN2C: The magpie carries conceptual and aesthetic resonances and invites a particular kind of embodied interaction.
Conceptual | Interact | Navigation
MN4A: The magpie metaphor provided a solution for navigating across sections and invites readers into a particular kind of embodied experience.
Gestural | Interact | Navigation
RR2B: The initial photo was edited so as to isolate candles out of the whole picture for individual interaction.
Gestural | Interact | Splash
RR4B: The candles as navigational devices invite the reader to explore rather than making the structure immediately clear.
Gestural | Interact | Navigation
DelagrangeA: The Wunderkammer's material logics of discovery provided the framework for how Delagrange imagined arrangement as techne.
Conceptual | Interact | Total
DelagrangeD: The webtext project was inspired by Delagrange's longtime fascination with Wunderkammern as interactive spaces for organizing and creating knowledge.
Conceptual | Interact | Total
DelagrangeG: The webtext's visual aesthetic emulates the need to take in a Wunderkammer's elements in successive stages of viewing, rather than all at once.
Visual | Interact | Total
DelagrangeH: Delagrange created her webtext as a space that emulated the design logics of a Wunderkammer in both designing and viewing processes.
Spatial | Interact | Navigation
DelagrangeI: A Wunderkammer's visual, interactive capabilities were fundamental to Delagrange's project design and selected media elements.
Visual | Interact | Media
DelagrangeJ: Delagrange created a Wunderkammer-based experience of arrangement in a digital environment.
Spatial | Interact | Total
DelagrangeL: The Wunderkammer served as a cognitive model for organizing the project as a whole as an interactive experience.
Conceptual | Interact | Total
DelagrangeN: Movement was essential to how Delagrange imagined the webtext's media elements.
Gestural | Interact | Media
DelagrangeQ: The visual elements provide the main guideposts for how the user interacts with the webtext's text and media elements.
Visual | Interact | Text + Media
DelagrangeR: The Wunderkammer-inspired process of arrangement was crucial both to Delagrange's experience in designing the webtext and to the experience she wanted the user to have in interacting with its various elements.
Spatial | Interact | Media
DelagrangeT: Viewers can customize their experience of moving through the webtext as they would in interacting with a Wunderkammer.
Gestural | Interact | Total
DelagrangeU: The images' enigmatic nature draws the viewer into an experience of being on the edge of discovery while interacting with the webtext as a whole.
Visual | Interact | Total
LauerF: Lauer used the rose metaphor to redesign the webtext's visual aesthetic and provided clearer navigation options.
Visual | Interact | Navigation
ChamberlainGramerHartlineD: The native Mac icons provided a system for navigating their webtext.
Visual | Interact | Navigation
ChamberlainGramerHartlineG: The webtext's exploratory navigational system evoked the kind of technological exploration for which they advocated in their explicit argument.
Gestural | Interact | Navigation
HanzalikA: The homepage uses movement and sound to draw the reader into active multisensory engagement with the webtext.
Aural + Gestural | Interact | Navigation
HanzalikD: The homepage is designed like an arcade to encourage the reader to interact with it like a game.
